welkinlions:

Rape of the Sabines 20th-century stone variant of marble original by Giambologna (Italian, 1524-1608),1579-1583 Location: Loggia dei Lanzi, Florence
Giambologna, born as Jean Boulogne, incorrectly known as Giovanni da Bologna and Giovanni Bologna (1529 – 13 August 1608), was a sculptor, known for his marble and bronze statuary in a late Renaissance or Mannerist style.
The Rape of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. The English word “rape” is a conventional translation of Latin raptio, which in this context means “abduction” rather than its prevalent modern meaning in English language of sexual violation. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. §

welkinlions:

Rape of the Sabines
20th-century stone variant of marble original by Giambologna (Italian, 1524-1608),1579-1583
Location: Loggia dei Lanzi, Florence

Giambologna, born as Jean Boulogne, incorrectly known as Giovanni da Bologna and Giovanni Bologna (1529 – 13 August 1608), was a sculptor, known for his marble and bronze statuary in a late Renaissance or Mannerist style.

The Rape of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. The English word “rape” is a conventional translation of Latin raptio, which in this context means “abduction” rather than its prevalent modern meaning in English language of sexual violation. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. §

(via afunnythinghappens)